All jobsDesign, Media & WritingMedia Production Technicians
83 Media Production Technicians Jobs
Equipment hums to life before the shoot, and every cable, light, and mic becomes a ticking checklist against the clock.
Average salary: €32,656
Average salary
€32,656
across 20 jobs
- Video Education Manager
- Riverside
- Toronto, Canada
- C$80,000 – C$110,000New

- Arabic Game Tester
- Localsoft, S.L.
- Málaga, Spain
- €18,000 – €24,000New

- English Tester (Australian)
- Localsoft, S.L.
- Málaga, Spain
- €18,000 – €24,000New

- Motion and Post Production Manager
- IKEA
- Älmhult, Sweden
- SEK 600,000 – SEK 840,000New

- Motion and Post Production Manager
- Inter IKEA Group
- Älmhult, Sweden
- SEK 600,000 – SEK 800,000New

- Fotograf für Neugeborene; Mitarbeiter Fotografie (m/w/d)
- Baby Smile GmbH
- Torgau, Germany
- €24,960 – €31,200New

- UX/UI Designer
- AgileEngine
- Guatemala, Guatemala
- GTQ 144,000 – GTQ 240,000New

- AI Video Editor
- Marriage Reset
- Portugal
- €25,000 – €35,000New

- Photography & Videography Consultant
- IOM - UN Migration
- Sudan
- $18,000 – $30,000New

- BR Talente Programm
- Bayerischer Rundfunk
- Munich, Germany
- €30,405 – €35,471New

- Production Editor
- MDPI
- Novi Sad, Serbia
- RSD 720,000 – RSD 1,080,000New

- Production Editor
- MDPI
- Belgrade, Serbia
- €7,200 – €10,800New

- Wedding Videographer
- The Pros Weddings
- Austin, Seattle +2 more, United States
- $45,000 – $75,000New

- Social Media Content Creator
- CALIDA AG
- Lucerne, Switzerland
- CHF 60,000 – CHF 80,000New

- Videograaf & Content Creator
- Van Walraven
- Mijdrecht, The Netherlands
- €30,000 – €40,000New

- Multimedia Designer
- BillEase
- Makati City, Philippines
- PHP 300,000 – PHP 600,000New

- Camera Operator
- Entain
- Hamilton, New Zealand
- NZD 50,000 – NZD 65,000New

- 新媒体运营实习生(内容)
- NIO
- Chengdu, China
- CNY 36,000 – CNY 60,000New

- Live TV Graphics Operator
- Atticus Advisory Solutions Inc.
- Quezon City, Philippines
- PHP 300,000 – PHP 480,000New

- Live TV Graphics Operator
- Atticus Advisory Solutions Inc.
- Manila, Philippines
- PHP 300,000 – PHP 600,000New

- Live TV Graphics Operator
- Atticus Advisory Solutions Inc.
- Quezon City, Philippines
- PHP 240,000 – PHP 360,000New

- Broadcast Graphic Operator
- Atticus Advisory Solutions Inc.
- Quezon City, Philippines
- PHP 240,000 – PHP 360,000New

- Werkstudent (m/w/d) mit Hund für Videoproduktion
- LWB Group
- Berlin, Germany
- €30,000 – €40,000New

- Fachkraft für Veranstaltungstechnik
- WWM GmbH & Co. KG
- Alsdorf, Monschau, Germany
- €32,000 – €38,000New

- 3D Imaging Consultant
- Wilcon Depot, Inc.
- Philippines
- PHP 240,000 – PHP 360,000New

- Sound Operator
- SVKM's Narsee Monjee Institute of Management Studies
- Chandīgarh, India
- INR 240,000 – INR 420,000New

- Senior Communications Specialist
- Honeywell Technologies
- San Luis Potosí, Mexico
- MXN 600,000 – MXN 900,000New

- Digital Multimedia Editor
- Antenna Group
- Maroúsi, Greece
- €20,000 – €26,000New

- Junior fotograf
- Vilgain
- Brno, Czechia
- CZK 360,000 – CZK 540,000New

- Content Creator Mentor
- Academy of Digital Industries (ADI)
- Tbilisi, Georgia
- GEL 30,000 – GEL 42,000New

- Creative Producer / Video Editor
- Dijital Team Pty Ltd
- Colombo, Sri Lanka
- LKR 1,200,000 – LKR 1,800,000New

- Media & Digital Content Specialist
- Marsh
- Cluj-Napoca, Romania
- $95,000New

- Media & Digital Content Specialist
- Marsh McLennan
- Cluj-Napoca, Romania
- $95,000New

- Media Coordinator
- TransPerfect
- Cape Town, South Africa
- ZAR 250,000 – ZAR 350,000New

- Media Coordinator
- TransPerfect
- Cape Town, South Africa
- ZAR 200,000 – ZAR 300,000New

- Mid-level Motion Designer
- Ogilvy
- Johannesburg, Cape Town, South Africa
- ZAR 300,000 – ZAR 600,000New

- Photographer and Videographer (Long Term Arrangement)
- UNDP
- Tashkent, Uzbekistan
- $6,000 – $12,000New

- Media Coordinator
- TransPerfect
- Cape Town, South Africa
- ZAR 240,000 – ZAR 360,000New

- Media Coordinator
- TransPerfect
- Cape Town, South Africa
- ZAR 180,000 – ZAR 260,000New

- Senior Producer
- Monks
- Buenos Aires, Argentina
- ARS 4,000,000 – ARS 6,000,000New

- Cinematic AI Creator
- Picsart
- Yerevan, Armenia
- AMD 9,600,000 – AMD 14,400,000New

- Creative Project Coordinator
- TransPerfect
- Subang Jaya, Malaysia
- MYR 54,000 – MYR 78,000New

- Cinematic Video Editor
- Fireflies.ai
- Istanbul, Chennai +1 more
- $60,000 – $90,000New

- Video Editor
- Digital Auxilius
- Karachi, Pakistan
- PKR 960,000 – PKR 1,800,000New

- Video Editor - Advanced
- Sunco.com
- Bulgaria, Czechia +5 more
- $14,000 – $50,000New

- Audiovisual Producer
- Cronos Europa
- Brussels, Luxembourg
- €45,000 – €60,000New

- Senior Graphic Designer
- VML
- Luxembourg, Luxembourg
- €45,000 – €60,000New

- Filmmaker
- Clearly
- Amsterdam, The Netherlands
- €33,600 – €48,000New

- Videograaf
- Clearly
- Amsterdam, The Netherlands
- €30,000 – €48,000New

- Video Editor
- Clearly
- Amsterdam, The Netherlands
- €30,000 – €48,000New

Media Production Technicians set up, operate, and maintain the equipment that captures and broadcasts audio and visual content. The work involves rigging cameras, configuring lighting systems, managing sound boards, running cables, and troubleshooting technical issues during live recordings, studio sessions, and on-location shoots. Problems arise without warning—a faulty connection, a lighting imbalance, a sync issue—and the technician resolves them while production continues.
Employers typically require technical training through certificates, diplomas, or degrees in media production, broadcast technology, or related fields. Hands-on experience with industry-standard equipment matters as much as formal qualifications. These roles exist across television studios, film production companies, broadcasting networks, event venues, corporate media departments, and post-production facilities, usually at entry to mid-level positions within technical crews.
Media Production Technicians jobs by city
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Questions
What qualifications do Media Production Technicians need to start working?
Most positions require a certificate or diploma in media production, broadcast technology, or a related technical field, though some employers accept equivalent hands-on experience. Training covers camera operation, lighting systems, audio engineering, and editing software. Internships and volunteer work on student productions or community media projects help build the portfolio and familiarity with professional equipment that employers expect.
What does a typical day involve for Media Production Technicians?
The day revolves around setting up equipment before shoots, monitoring technical quality during recording, and packing down afterward. Technicians rig cameras and microphones, adjust lighting angles, run sound checks, manage cables, and watch for issues like audio distortion or focus problems during takes. Between productions, they maintain gear, update software, and prepare equipment lists for upcoming projects.
Do Media Production Technicians work regular hours or irregular schedules?
Schedules depend heavily on production timelines, which often include early mornings, late nights, weekends, and extended shoots that run over planned hours. Live broadcasts require technicians to be present during specific time slots, while film and video projects may cluster into intense production periods followed by quieter stretches. Freelance technicians face the most variable schedules, while staff positions at studios or networks tend toward more predictable shifts.
What technical skills matter most for Media Production Technicians?
Operating cameras, lighting rigs, and audio equipment forms the core skill set, along with cable management and signal routing. Technicians need to diagnose equipment failures quickly, understand video and audio formats, and adapt to different brands and models of gear. Familiarity with editing software, streaming protocols, and broadcast standards grows increasingly important as production workflows blend capture with digital distribution.
How do Media Production Technicians advance in their careers?
Progression typically moves from junior technician roles assisting with basic setup toward specialist positions focusing on camera operation, lighting design, or audio engineering. Experienced technicians become department heads overseeing technical crews, or transition into roles like director of photography, production manager, or broadcast engineer. Some shift into post-production, while others move toward freelance consulting for high-budget projects.
Is the work physically demanding for Media Production Technicians?
Yes, the role involves lifting and carrying equipment, climbing ladders to rig lights, crouching to run cables, and standing for hours during shoots. Technicians load cases weighing twenty to fifty pounds, assemble scaffolding, and work in awkward positions to position cameras or microphones. Outdoor shoots add weather exposure, while studio work may involve navigating cramped spaces behind sets or in control rooms.
How much creative input do Media Production Technicians have?
Creative involvement varies by role and production structure, but technicians generally execute the director's and cinematographer's vision rather than originating it. During setup, they may suggest practical solutions for achieving desired lighting or camera angles, and experienced technicians often anticipate needs before being asked. Live broadcast work leaves little room for creative deviation, while smaller productions sometimes welcome technical input that improves the final product.
What distinguishes Media Production Technicians from Camera Operators?
Media Production Technicians handle the broader technical infrastructure—lighting, audio, cables, monitoring equipment—while Camera Operators focus specifically on framing shots and controlling camera movement. Technicians prepare the environment that allows operators to capture footage, and they troubleshoot equipment across all departments rather than specializing in one creative function. Many Camera Operators begin as technicians before narrowing their focus.
Do Media Production Technicians work alone or in teams?
Nearly all work happens within crews, with technicians coordinating across lighting, sound, camera, and video departments to support production. Communication during setup and shoots determines whether equipment functions smoothly, and troubleshooting often requires collaboration between specialists. Smaller productions may have technicians handling multiple roles simultaneously, while large broadcasts or films assign specific equipment areas to individual technicians within larger teams.
What challenges do Media Production Technicians face most often?
Equipment failures during live recordings or tight shooting schedules create the most immediate pressure, requiring fast diagnosis and backup solutions. Technicians also manage competing demands from directors wanting specific creative effects and producers watching budgets and timelines. Adapting to unfamiliar venues, working with aging or mismatched equipment, and maintaining focus during long shoots with minimal breaks test both technical skill and stamina.